Nice Photo Ideas photos

A few nice photo ideas images I found:

"An Idea"

Image by B Tal
For a change of pace and as an exercise, I played around with the idea of changing up the front page of http://www.brian-talbot.com to something else as Shaun had told me today "8 o'clock sure takes a while to get here".

This is just a fun idea, I'm not sure if there'd be any content underneath this page as of now. I just wanted a refresh and a place to reference all of the bits I am doing/using.

Thoughts, ideas and feedback are very welcome. :o)

Notes:
* Best viewed at original/intended size
* This is the first thing that I've actively designed for 1024x768 - woot!

PESSIMISM OF THE INTELLECT, OPTIMISM OF THE WILL

Image by ruSSeLL hiGGs
(hackney, east london)

Everytime I pass this slogan it inevitably provokes a huge swirling conversation in my head. So, at last, I've photographed it (is "photoed" a word yet?), and now I can write some accompanying text in an attempt to record the varying issues and associations raised by this graffiti, and then I'll never have to think about it ever again.

To begin with I always find myself saying "bless" whenever I see it. It is such a classic slice of naive off-the-peg romanticism, which nonetheless is a million times preferable to mere tagging. What are tags, other than public arse-wipings from the cult of "individuality". Tags remind me of all those reality tv inmates who persistently recite that delusional mantra "I'm just me".

I am individual, hear me DRAW.

But naive off-the-peg romanticism and sloganeering is often equally vacuous. Too often it functions as a vent. Its too often a matter of looking at the finger thats pointing rather than what the finger is pointing at. It comes as part of a ready made identity package for (predominantly) young people to slip into, and then to discard with ease once they become fully amalgamated into the state. (I haven't articulated this clearly. I'll have to come back to it)

Next, I always want to add a prefix to this scrawl. "EDUCATE THE MASSES AND THEN smash the state".

Another prominent association in my mind is that naive cliche of a working class revolution. The bizarre assumption that a majority of working class people in this country might be revolutionary in spirit. Sadly the majority of working class opinions that I've experienced during my 46 years of life have tended to be right-wing, reactionary, patriotic, pro-authority and hyper-capitalist etc etc. And of course there actually was a working class revolution in britain back in the 80s, it was called Thatcherism. Its equally ironic that the most frequent manifestation of revolutionary class war ends up being educated middle class "anarchists" versus uneducated working class police.

Finally (for now) I always come back to the phrase "IDEAS ARE ALSO WEAPONS" which in this context is best summed up in this excerpt from Voluntary Resistance (By Carl Watner) "Public buildings may be destroyed, public officials murdered, but such efforts will never bring about the destruction of the idea of the State. The State is a state of mind, an idea which cannot be harmed by violence. Ideas can only be attacked with better ideas." And we desperately need to use our public spaces to communicate such ideas.

Bus shelter idea

Image by S.S.K.
Bus shelter idea from Design Slam session, Toronto Transit Camp

See www.flickr.com/photos/rdi/379668453/ & www.flickr.com/photos/rdi/379672324/

Nice Image Galleries photos

Check out these image galleries images:

Sweet, Sweet Galaxy by Pip & Pop

Image by Karen Roe
Smiths Row, The Market Cross, Cornhill, Bury St Edmunds, Suffolk IP33 1BT
Tel: +44 (0) 1284 762081

We are happy to welcome Australian artists Tanya Schultz, Nicole Andrijevic and John Kassab to Smiths Row in what is their first major British show. Schultz and Andrijevic have worked in collaboration since 2007 using the alias Pip & Pop and this is their second collaboration with sound artist Kassab.

Sweet sweet galaxy is a unique installation depicting an infinite psychedelic landscape. An amalgamation of numerous materials including coloured sugar, fine sand, cake decorations, origami, found objects, LED lights and sound, this colourful sensory kingdom will be constructed directly in the gallery space in early January.

The soundscape, created in collaboration with Melbourne-based John Kassab, adds another layer of immersion to the audience experience and sense of being transported to a faraway or imagined place. Whilst the soundscape adds to the narrative of the imagined landscape, interpreting the sounds with sugar has been central to Pip & Pop's process when working with John.

The sugar used in this exhibition has been kindly donated by Silverspoon. As the sole producers of homegrown British sugar the company supports 1200 East Anglian beet farmers. According to Dan Gough of Silverspoon: "the sugar used in this exhibition was grown an average of 30 miles away from the gallery".

Philadelphia: Independence Hall

Check out these photo sites images:

Philadelphia: Independence Hall

Image by wallyg
Independence Hall, on Chestnut Street between 5th and 6th Streets, was built by Edmund Woolley and Andrew Hamilton, the Speaker of the Pennsylvania Assembly, in 1753 as the Pennsylvania State House. But it was the events that took place between 1775 and 1787 that earned it the name Independence Hall, and reinforce its iconic status as the Birthplace of the Nation. It is within its walls that the delegates to the Second Continental Congress met, the Declaration of Independence was approved, and the Constitution of the United States was debated, drafted and signed.

Construction on the redbrick Georgian style building, at the time the most ambitious public work in the colonies, began in 1732. The five-part plan included a 105-foot long main block, two covered arcades, and two 50-foot long wing buildings at the end of the arcades. The Provincial government paid for construction as it went along--piecemeal for 21 years. The building has undergone many restorations, notably by Greek revival architect John Haviland in 1830, and by a committee from the National Park Service, in 1950, returning it to its 1776 appearance. The bell tower, consisting of a wooden steeple set atop the three-story brick house, was the original home of the Liberty Bell and today holds the Centennial Bell, created for the United States Centennial Exposition in 1876.

From 1775 to 1783, the Hall served as the principal meeting place of the Second Continental Congress, a body of a body of representatives from each of the thirteen colonies. The Declaration of Independence, which was authored by Thomas Jefferson and declared the unified colonies independent of the Kingdom of Great Britain, was approved there on July 4, 1776, though the vote was held two days earlier and the Declaration was read aloud to the public in the area now known as Independence Square. On June 14, 1775, delegates nominated George Washington as commander of the Continental Army; and on July 26, they appointed Benjamin Franklin the first Postmaster General of what would later become the United States Post Office Department.

During September of 1777, Philadelphia was occupied by the British Army, and the Continental Congress was forced to abandon the State House and flee to York, Pennsylvania where the Articles of Confederation were approved in November. The Congress returned on July 2, 1778, after the end of the British occupation.

In the summer of 1787, Independence Hall hosted the Philadelphia Convention, now also known as the Constitutional Convention. The original intent was to discuss adjustments to the Articles of Confederation, but the Convention decided to propose a rewritten Constitution, resulting in a new fundamental government design. On September 17, 1787, the Constitution was completed, and took effect on March 4, 1789, when the new Congress met for the first time in New York's Federal Hall.

In 1790, the Congress moved back into Philadelphia and first met in Congress Hall, the small adjoining east east wing. Philadelphia would remain the seat of the federal government until 1800, with Independence Hall serving as the Capitol Building with executive offices, and the Supreme Court assembling in Old City Hall, the small adjoining west wing. These three buildings, together with Philosophical Hall, today make up Independence Square.

Here the first foreign minister to visit the United States was welcomed; the news of Cornwallis's defeat was announced, signaling the end of the Revolutionary War; and, later, John Adams and Abraham Lincoln lay in state. On October 26, 1918, Tomáš Masaryk proclaimed the independence of Czechoslovakia on the steps of Independence Hall. On July 4, 1962, President John F. Kennedy gave an address here on Independence Day.

Independence Hall is pictured on the back of the U.S. 0 bill, as well as the bicentennial Kennedy half dollar. The Assembly Room is pictured on the reverse side of the U.S. two dollar bill, from the original painting by John Trumbull entitled Declaration of Independence.

Independence National Historical Park preserves several sites associated with the American Revolution. Administered by the National Park Service, the 45-acre park was authorized in 1948, and established on July 4, 1956.

Independence Hall was designated a World Heritage Site on October 24, 1979.

Independence National Park Historic District National Register #66000675 (1966)

Philadelphia: Independence Hall

Image by wallyg
Independence Hall, on Chestnut Street between 5th and 6th Streets, was built by Edmund Woolley and Andrew Hamilton, the Speaker of the Pennsylvania Assembly, in 1753 as the Pennsylvania State House. But it was the events that took place between 1775 and 1787 that earned it the name Independence Hall, and reinforce its iconic status as the Birthplace of the Nation. It is within its walls that the delegates to the Second Continental Congress met, the Declaration of Independence was approved, and the Constitution of the United States was debated, drafted and signed.

Construction on the redbrick Georgian style building, at the time the most ambitious public work in the colonies, began in 1732. The five-part plan included a 105-foot long main block, two covered arcades, and two 50-foot long wing buildings at the end of the arcades. The Provincial government paid for construction as it went along--piecemeal for 21 years. The building has undergone many restorations, notably by Greek revival architect John Haviland in 1830, and by a committee from the National Park Service, in 1950, returning it to its 1776 appearance. The bell tower, consisting of a wooden steeple set atop the three-story brick house, was the original home of the Liberty Bell and today holds the Centennial Bell, created for the United States Centennial Exposition in 1876.

From 1775 to 1783, the Hall served as the principal meeting place of the Second Continental Congress, a body of a body of representatives from each of the thirteen colonies. The Declaration of Independence, which was authored by Thomas Jefferson and declared the unified colonies independent of the Kingdom of Great Britain, was approved there on July 4, 1776, though the vote was held two days earlier and the Declaration was read aloud to the public in the area now known as Independence Square. On June 14, 1775, delegates nominated George Washington as commander of the Continental Army; and on July 26, they appointed Benjamin Franklin the first Postmaster General of what would later become the United States Post Office Department.

During September of 1777, Philadelphia was occupied by the British Army, and the Continental Congress was forced to abandon the State House and flee to York, Pennsylvania where the Articles of Confederation were approved in November. The Congress returned on July 2, 1778, after the end of the British occupation.

In the summer of 1787, Independence Hall hosted the Philadelphia Convention, now also known as the Constitutional Convention. The original intent was to discuss adjustments to the Articles of Confederation, but the Convention decided to propose a rewritten Constitution, resulting in a new fundamental government design. On September 17, 1787, the Constitution was completed, and took effect on March 4, 1789, when the new Congress met for the first time in New York's Federal Hall.

In 1790, the Congress moved back into Philadelphia and first met in Congress Hall, the small adjoining east east wing. Philadelphia would remain the seat of the federal government until 1800, with Independence Hall serving as the Capitol Building with executive offices, and the Supreme Court assembling in Old City Hall, the small adjoining west wing. These three buildings, together with Philosophical Hall, today make up Independence Square.

Here the first foreign minister to visit the United States was welcomed; the news of Cornwallis's defeat was announced, signaling the end of the Revolutionary War; and, later, John Adams and Abraham Lincoln lay in state. On October 26, 1918, Tomáš Masaryk proclaimed the independence of Czechoslovakia on the steps of Independence Hall. On July 4, 1962, President John F. Kennedy gave an address here on Independence Day.

Independence Hall is pictured on the back of the U.S. 0 bill, as well as the bicentennial Kennedy half dollar. The Assembly Room is pictured on the reverse side of the U.S. two dollar bill, from the original painting by John Trumbull entitled Declaration of Independence.

Independence National Historical Park preserves several sites associated with the American Revolution. Administered by the National Park Service, the 45-acre park was authorized in 1948, and established on July 4, 1956.

Independence Hall was designated a World Heritage Site on October 24, 1979.

Independence National Park Historic District National Register #66000675 (1966)

NY - Hyde Park: FDR NHS - Henry A Wallace Visitor and Education Center - Pictorial Map mosaic - Top Cottage

Image by wallyg
A pictorial map mosaic graces the entrance lobby of the Henry A. Wallace Visitor and Education Center at the Franklin Delano Roosevelt National Historic Site. The image is adapted from a 1949 drawing by Olin Dows, a Hudson Valley WPA artist, depicting Hyde Park as it was in FDR's youth.

Top Cottage, designed by President Roosevelt himself atop Dutchess Hill in 1938, served as a refugre from the stress of presidential life for the first couple. It was a simple fieldstone house with no air conditioning, telephone or formal landscaping.

Nice I Stock Photo photos

Some cool i stock photo images:

Shimon Peres by David Shankbone

Image by david_shankbone
I went to Jerusalem and interviewed Shimon Peres for Wikinews/Wikipedia. The interview is here. I explain what drove my photography and interviews here.

Walter Mosley by David Shankbone

Image by david_shankbone
Author Walter Mosley wrote Devil in a Blue Dress and President Bill Clinton called him one of his favorite writers. I photographed in 2007 at the Brooklyn Book Festival. I explain what drove my photography and interviews here.

Patricia Neal by David Shankbone

Image by david_shankbone
Dead people I photographed: Patricia Neal (January 20, 1926 – August 8, 2010) was an American actress of stage and screen. She was best known for her film roles as World War II widow Helen Benson in The Day the Earth Stood Still (1951), wealthy matron Emily Eustace Failenson in Breakfast at Tiffany's (1961), middle-aged housekeeper Alma Brown in Hud (1963), for which she won the Academy Award for Best Actress. She also played Olivia Walton in the 1971 made-for-television film The Homecoming, A Christmas Story, a role played in the regular series by actress Michael Learned.

David Shankbone

you're a loop: your heart beat and nervous system

Some cool heart image images:

you're a loop: your heart beat and nervous system

Image by fish2000
Heart image from Gray's anatomy (the book, not the show) via wikipedia

heart of winter

Image by nd-nʎ
360-degree panorama stitched from 10 images taken @10mm

Cool Buy Photo images

Check out these buy photo images:

Colonial Cousins

Image by UrvishJ

Image by UrvishJ
© Urvish Joshi Photography 2005-'11

Photography and Post-Production: Urvish Joshi
Twitter: twitter.com/#!/Cacofuny

The image is copyright protected and any unauthorized use is strictly prohibited. Contact - doc.urvish@gmail.com if interested in the image.

Disney's Magic Kingdom 245

Check out these magic photo images:

Disney's Magic Kingdom 245

Image by Michael Kappel

Disney's Magic Kingdom
disneyworld.disney.go.com/parks/magic-kingdom/

Picture taken in Orlando Florida at the Walt Disney World Park
View the high resolution image on my photo website
Pictures.MichaelKappel.com

Disney's Magic Kingdom 018

Image by Michael Kappel

Disney's Magic Kingdom
disneyworld.disney.go.com/parks/magic-kingdom/

Picture taken in Orlando Florida at the Walt Disney World Park
View the high resolution image on my photo website
Pictures.MichaelKappel.com

Cool American Photo images

Check out these american photo images:

Mt. Holyoke, Massachusetts - Paper. American Writing Paper Co. Cylinder machine (making matchboard), 1936

Image by The U.S. National Archives
Original Caption: Mt. Holyoke, Massachusetts - Paper. American Writing Paper Co. Cylinder machine (making matchboard), 1936

U.S. National Archives’ Local Identifier: 69-RP-44

Photographer: Hine, Lewis


Subjects:
The New Deal
Tennessee Valley Authority
Works Progress Administration
Work Portraits
The Great Depression


Persistent URL: research.archives.gov/description/518333

Repository: Still Picture Records Section, Special Media Archives Services Division (NWCS-S), National Archives at College Park, 8601 Adelphi Road, College Park, MD, 20740-6001.

For information about ordering reproductions of photographs held by the Still Picture Unit, visit: www.archives.gov/research/order/still-pictures.html

Reproductions may be ordered via an independent vendor. NARA maintains a list of vendors at www.archives.gov/research/order/vendors-photos-maps-dc.html

Access Restrictions: Unrestricted
Use Restrictions: Unrestricted

Mt. Holyoke, Massachusetts - Paper. American Writing Paper Co. Cylinder machine (making matchboard), 1936

Image by The U.S. National Archives
Original Caption: Mt. Holyoke, Massachusetts - Paper. American Writing Paper Co. Cylinder machine (making matchboard), 1936

U.S. National Archives’ Local Identifier: 69-RP-45

Photographer: Hine, Lewis


Subjects:
The New Deal
Tennessee Valley Authority
Works Progress Administration
Work Portraits
The Great Depression


Persistent URL: research.archives.gov/description/518334

Repository: Still Picture Records Section, Special Media Archives Services Division (NWCS-S), National Archives at College Park, 8601 Adelphi Road, College Park, MD, 20740-6001.

For information about ordering reproductions of photographs held by the Still Picture Unit, visit: www.archives.gov/research/order/still-pictures.html

Reproductions may be ordered via an independent vendor. NARA maintains a list of vendors at www.archives.gov/research/order/vendors-photos-maps-dc.html

Access Restrictions: Unrestricted
Use Restrictions: Unrestricted

9/25: Coleman Miller: Uso Justo & other shorts

Check out these digital picture frame images:

9/25: Coleman Miller: Uso Justo & other shorts

Image by uniondocs
Best known for his innovative, award-winning 2005 short Uso Justo, Coleman Miller has been making films and videos for over 25 years utilizing a variety of techniques including found footage, collage, and various mash-up experimentation based on whatever tools he’s had at his disposal. We are happy to present this long-overdue overview of Miller’s work.
“It always starts with Play. Especially working with found footage – it’s like being a five year old in a brand new sandbox. Or playing with blocks. You start mixing and matching things… just to see. Then maybe a leaf blows into the sandbox and you incorporate that. Soon you have a foundation and it all flows from there. The hardest part is getting up from the sandbox and saying ‘Done’. But really, any sandbox will do.” – Coleman Miller

“Coleman Miller is destined for admiration and great poverty.” - Isabella Rossellini

Program runtime is approximately 68 minutes – Surprise unannounced works possible

Step Off A Ten-Foot Platform With Your Clothes On, by Coleman Miller
USA, 1990, 7 minutes, 16 mm

While working as a printer in a film lab in San Francisco Miller, was able to use equipment most filmmakers didn’t even know existed. Obtaining special use of a continuous contact printer, which he used every day, was particularly inspiring. By manipulating found footage he was able to create a body of work that turned the medium of film back around on itself. Miller was able to invent many new printing techniques, which he continues to incorporate today. During these years, the film lab became a ten-year festival of experimentation and from it came the most consistent additions to his body of work.
In Step Off A Ten Foot Platform With Your Clothes On, Miller expounds his foray into found and experimental film by compiling which had been, until Uso Justo, his most successful and critically acclaimed work. Produced while Miller was still working for a San Francisco based film printer, once again we see Miller playing with materials directly available to him. During this time time, he was turning film around on itself in a purely visual way – showing the sprocketholes, edge numbers, dirt and frame lines, etc. Again we’ll see the use of contrapuntal sound in order to punctuate dramatic and often playful images. Miller also takes the time to examine what lies in between or, more appropriately, just hidden aspects of film. Long stretches of dirty black or white leader touched with color, usually an annoyance to the traditional viewer, display an entertaining dance of schmutz that is allowed to take the focus. Platform briefly introduces it’s visual styles and slowly allows them to progress into a spirited visual mash-up of his techniques. Ordinary images sifted thru Miller’s mental machine, like the little dog in the film, yanked to unreasonable visual extremes.Platform would go on to win numerous festival awards, be screened at the 1991 Sundance Film Festival, and become culled material for commercial exhibitions such as the 1992 MTV Music Video Awards and the opening title sequences for MTV’s 1991 television show The Big Picture.
Fixated Whereabouts by Coleman Miller
USA, 1983, 5 minutes, 16 mm
Deeply inspired by Bruce Conner’s Take The 5:10 To Dreamland, Miller’s initial dabbling into filmmaking shows natural mastery of his available tools. Shot simply with a super 8 camera, Miller’s exercises began to define the directions of his current work. What, upon first glance, appears to be the tired student project that pervade the novice class of experimental film, a deeper inspection reveals Miller’s creation of a bizarre and surreal world just around the corner from your house. Contrapuntal sound reverses commonly seen images, and simple experimental devices distract the viewer into provocative thought. San Francisco’s skyline watched out a window appeals to a strange unfulfilled longing, so it shouldn’t surprise the reader that the scene is shot from a postcard found in Miller’s hotel, years before he ever took up residence there. Please note the first display of existential angst. Every ordinary event, every car-ride or ballgame take on an otherworldly effect. An escalator, found sound, a mirror… all objects often overlooked, suddenly presented turned on their own ear. Fixated Whereabouts means what it suggests as Miller’s universe stops at a place, records what it sees, interprets the material with a clash of the surreal, and then punctuates with moments of fright and wonder.
Motion Pictures by Coleman Miller
USA, 1996, 4 minutes, 16 mm
In Miller’s most abrupt work- Motion Pictures – he begins pursuit of new layering techniques with found and manipulated materials. Produced at Monaco Lab.
Minneapolis/St. Paul International Film Festival Trailer 1997
The Bony Orbit by Coleman Miller
digital projection, USA 2010, 2 minutes, digital projection
The dry narration of an educational film brings forth surprising results as a couple surrenders to love.
What Gives by Coleman Miller
USA, 1994, 2 minutes, digital projection
The larf of What Gives introduces Miller’s playfulness, foreshadowing a common theme throughout the future of Miller’s work. Surreal, experimental slapstick executed to perfection. Again produced at Monaco Lab, with materials and tools at his disposal.
Kirk, we hardly knew ya by Coleman Miller
USA, 1999, 12 minutes, 16 mm
Produced as an installation piece, ‘Kirk’ is the most basic of Miller’s work, never intended to be screened beyond that environment. But as we watch it today, the subject matter retains relevance. The pressures of business and technology barked out by the enigmatic Shatner, transposed with the inane pursuits of a culture that can’t understand why it should be bombed. Miller’s statement, though simple and cheaply produced, retains its’ humor in the light of such damning circumstance.
Take The L by Coleman Miller
USA, 2006, 3 minutes, digital projection
Using his 8 year-old, consumer level 1-chip digital video camera, Miller dials in the controls to capture a frighteningly sharp commuter train trip. Using a technique available to almost any beginner level FCP user, he transcends the viewer into a widely familiar but deeply disorienting and hypnotic landscape. In watching the center, the viewer can only imagine the thrilling moment when, as a child, they first held a kaleidoscope up to the light. But looking out toward the edges, Take The L will subtly reveal it’s common subject matter and remind the viewer of its’ reality. Once again Miller takes the most mundane of activities and develops it into an explosion of kaleidoscopic visual beauty and playfulness. Miller once again delivers stimulating execution of the most basic technique driven to its’ edges.
Heaven by Coleman Miller
USA, 2007, 3 minutes, digital video
Jon Nelson asked me to add some visuals to one of his audio mix cuts for a show in Minneapolis. I chose the one with Steve Martin talking about heaven. Of the two of those i really believe in Steve Martin.
Uso Justo by Coleman Miller
USA, 2005, 22 minutes, digital projection
Miller’s first narrative creation is like nothing you have seen before. Or since. Uso Justo (roughly translated: “Fair Use”) is restructured completely from an obscure 1959 Mexican film. Miller reaches deep into this black and white melodrama with both hands and turns it inside out. When an experimental filmmaker arrives to shoot his next film in the fictional town of Uso Justo, things start getting strange. The townsfolk are both thrilled and confused by the sudden arrival of this mysterious artist. As the invisible filmmaker pulls the strings, the unfolding story proves to be existential and hilarious, intelligent and stupid.
View Excerpt
”A laff a minute” -Bruce Conner
“Uso Justo is the most hilarious and mesmerizing film I have seen in years.” – Jonathan Caouette (Tarnation)
”Uso Justo is BRILLIANT!!! Fantastic! genius! Wonderful! marvelous! Fuckin’ Brilliant!!!” – Craig Baldwin (Sonic Outlaws, Tribulation 99)
Frank and Paula by Coleman Miller
USA, 2009, 4 minutes, digital projection
The 1950 film noir classic D.O.A. is apparently in the public domain. Somebody hand me my e-scissors.
Hands Motherloade by Coleman Miller
USA, 2002, 4 minutes, digital projection
I put this together when my computer was acting like shit and crashing frequently. Coincidentally this was right after i had gone to my grandfather’s house and picked up a bunch of old metal sections of heating pipes, elbow joints, washer’s, nut’s, bolts, handtools, etc. So when the computer would crash i would go out on the back porch to my buckets of metal and try twisting up some sculpture. And i began to realize how much I liked working with my hands again. It was such a breath of fresh air – much better i thought than staring at a monitor. At the same time i would be watching and rewatching old 16mm educational films and noticing how almost every one of these had a close shot of hands.
The human hand. What a great tool. And taken for granted.
Coleman Miller (Creator/Writer/Director/Producer/Editor) has been making films for over 20 years. His films have won numerous awards on the festival circuit and his film Step Off a Ten Foot Platform With Your Clothes On screened at Sundance in 1991. He received his bachelor’s degree in film production from Southern Illinois University in 1983. He was recently awarded the 2005 IFP-MSP/McKnight Artist Fellowship for Filmmakers, received a Jerome Media Grant in 2001 and a Film Arts Foundation Grant in 1990.

9/25: Coleman Miller: Uso Justo & other shorts

Image by uniondocs
Best known for his innovative, award-winning 2005 short Uso Justo, Coleman Miller has been making films and videos for over 25 years utilizing a variety of techniques including found footage, collage, and various mash-up experimentation based on whatever tools he’s had at his disposal. We are happy to present this long-overdue overview of Miller’s work.
“It always starts with Play. Especially working with found footage – it’s like being a five year old in a brand new sandbox. Or playing with blocks. You start mixing and matching things… just to see. Then maybe a leaf blows into the sandbox and you incorporate that. Soon you have a foundation and it all flows from there. The hardest part is getting up from the sandbox and saying ‘Done’. But really, any sandbox will do.” – Coleman Miller

“Coleman Miller is destined for admiration and great poverty.” - Isabella Rossellini

Program runtime is approximately 68 minutes – Surprise unannounced works possible

Step Off A Ten-Foot Platform With Your Clothes On, by Coleman Miller
USA, 1990, 7 minutes, 16 mm

While working as a printer in a film lab in San Francisco Miller, was able to use equipment most filmmakers didn’t even know existed. Obtaining special use of a continuous contact printer, which he used every day, was particularly inspiring. By manipulating found footage he was able to create a body of work that turned the medium of film back around on itself. Miller was able to invent many new printing techniques, which he continues to incorporate today. During these years, the film lab became a ten-year festival of experimentation and from it came the most consistent additions to his body of work.
In Step Off A Ten Foot Platform With Your Clothes On, Miller expounds his foray into found and experimental film by compiling which had been, until Uso Justo, his most successful and critically acclaimed work. Produced while Miller was still working for a San Francisco based film printer, once again we see Miller playing with materials directly available to him. During this time time, he was turning film around on itself in a purely visual way – showing the sprocketholes, edge numbers, dirt and frame lines, etc. Again we’ll see the use of contrapuntal sound in order to punctuate dramatic and often playful images. Miller also takes the time to examine what lies in between or, more appropriately, just hidden aspects of film. Long stretches of dirty black or white leader touched with color, usually an annoyance to the traditional viewer, display an entertaining dance of schmutz that is allowed to take the focus. Platform briefly introduces it’s visual styles and slowly allows them to progress into a spirited visual mash-up of his techniques. Ordinary images sifted thru Miller’s mental machine, like the little dog in the film, yanked to unreasonable visual extremes.Platform would go on to win numerous festival awards, be screened at the 1991 Sundance Film Festival, and become culled material for commercial exhibitions such as the 1992 MTV Music Video Awards and the opening title sequences for MTV’s 1991 television show The Big Picture.
Fixated Whereabouts by Coleman Miller
USA, 1983, 5 minutes, 16 mm
Deeply inspired by Bruce Conner’s Take The 5:10 To Dreamland, Miller’s initial dabbling into filmmaking shows natural mastery of his available tools. Shot simply with a super 8 camera, Miller’s exercises began to define the directions of his current work. What, upon first glance, appears to be the tired student project that pervade the novice class of experimental film, a deeper inspection reveals Miller’s creation of a bizarre and surreal world just around the corner from your house. Contrapuntal sound reverses commonly seen images, and simple experimental devices distract the viewer into provocative thought. San Francisco’s skyline watched out a window appeals to a strange unfulfilled longing, so it shouldn’t surprise the reader that the scene is shot from a postcard found in Miller’s hotel, years before he ever took up residence there. Please note the first display of existential angst. Every ordinary event, every car-ride or ballgame take on an otherworldly effect. An escalator, found sound, a mirror… all objects often overlooked, suddenly presented turned on their own ear. Fixated Whereabouts means what it suggests as Miller’s universe stops at a place, records what it sees, interprets the material with a clash of the surreal, and then punctuates with moments of fright and wonder.
Motion Pictures by Coleman Miller
USA, 1996, 4 minutes, 16 mm
In Miller’s most abrupt work- Motion Pictures – he begins pursuit of new layering techniques with found and manipulated materials. Produced at Monaco Lab.
Minneapolis/St. Paul International Film Festival Trailer 1997
The Bony Orbit by Coleman Miller
digital projection, USA 2010, 2 minutes, digital projection
The dry narration of an educational film brings forth surprising results as a couple surrenders to love.
What Gives by Coleman Miller
USA, 1994, 2 minutes, digital projection
The larf of What Gives introduces Miller’s playfulness, foreshadowing a common theme throughout the future of Miller’s work. Surreal, experimental slapstick executed to perfection. Again produced at Monaco Lab, with materials and tools at his disposal.
Kirk, we hardly knew ya by Coleman Miller
USA, 1999, 12 minutes, 16 mm
Produced as an installation piece, ‘Kirk’ is the most basic of Miller’s work, never intended to be screened beyond that environment. But as we watch it today, the subject matter retains relevance. The pressures of business and technology barked out by the enigmatic Shatner, transposed with the inane pursuits of a culture that can’t understand why it should be bombed. Miller’s statement, though simple and cheaply produced, retains its’ humor in the light of such damning circumstance.
Take The L by Coleman Miller
USA, 2006, 3 minutes, digital projection
Using his 8 year-old, consumer level 1-chip digital video camera, Miller dials in the controls to capture a frighteningly sharp commuter train trip. Using a technique available to almost any beginner level FCP user, he transcends the viewer into a widely familiar but deeply disorienting and hypnotic landscape. In watching the center, the viewer can only imagine the thrilling moment when, as a child, they first held a kaleidoscope up to the light. But looking out toward the edges, Take The L will subtly reveal it’s common subject matter and remind the viewer of its’ reality. Once again Miller takes the most mundane of activities and develops it into an explosion of kaleidoscopic visual beauty and playfulness. Miller once again delivers stimulating execution of the most basic technique driven to its’ edges.
Heaven by Coleman Miller
USA, 2007, 3 minutes, digital video
Jon Nelson asked me to add some visuals to one of his audio mix cuts for a show in Minneapolis. I chose the one with Steve Martin talking about heaven. Of the two of those i really believe in Steve Martin.
Uso Justo by Coleman Miller
USA, 2005, 22 minutes, digital projection
Miller’s first narrative creation is like nothing you have seen before. Or since. Uso Justo (roughly translated: “Fair Use”) is restructured completely from an obscure 1959 Mexican film. Miller reaches deep into this black and white melodrama with both hands and turns it inside out. When an experimental filmmaker arrives to shoot his next film in the fictional town of Uso Justo, things start getting strange. The townsfolk are both thrilled and confused by the sudden arrival of this mysterious artist. As the invisible filmmaker pulls the strings, the unfolding story proves to be existential and hilarious, intelligent and stupid.
View Excerpt
”A laff a minute” -Bruce Conner
“Uso Justo is the most hilarious and mesmerizing film I have seen in years.” – Jonathan Caouette (Tarnation)
”Uso Justo is BRILLIANT!!! Fantastic! genius! Wonderful! marvelous! Fuckin’ Brilliant!!!” – Craig Baldwin (Sonic Outlaws, Tribulation 99)
Frank and Paula by Coleman Miller
USA, 2009, 4 minutes, digital projection
The 1950 film noir classic D.O.A. is apparently in the public domain. Somebody hand me my e-scissors.
Hands Motherloade by Coleman Miller
USA, 2002, 4 minutes, digital projection
I put this together when my computer was acting like shit and crashing frequently. Coincidentally this was right after i had gone to my grandfather’s house and picked up a bunch of old metal sections of heating pipes, elbow joints, washer’s, nut’s, bolts, handtools, etc. So when the computer would crash i would go out on the back porch to my buckets of metal and try twisting up some sculpture. And i began to realize how much I liked working with my hands again. It was such a breath of fresh air – much better i thought than staring at a monitor. At the same time i would be watching and rewatching old 16mm educational films and noticing how almost every one of these had a close shot of hands.
The human hand. What a great tool. And taken for granted.
Coleman Miller (Creator/Writer/Director/Producer/Editor) has been making films for over 20 years. His films have won numerous awards on the festival circuit and his film Step Off a Ten Foot Platform With Your Clothes On screened at Sundance in 1991. He received his bachelor’s degree in film production from Southern Illinois University in 1983. He was recently awarded the 2005 IFP-MSP/McKnight Artist Fellowship for Filmmakers, received a Jerome Media Grant in 2001 and a Film Arts Foundation Grant in 1990.

9/25: Coleman Miller: Uso Justo & other shorts

Image by uniondocs
Best known for his innovative, award-winning 2005 short Uso Justo, Coleman Miller has been making films and videos for over 25 years utilizing a variety of techniques including found footage, collage, and various mash-up experimentation based on whatever tools he’s had at his disposal. We are happy to present this long-overdue overview of Miller’s work.
“It always starts with Play. Especially working with found footage – it’s like being a five year old in a brand new sandbox. Or playing with blocks. You start mixing and matching things… just to see. Then maybe a leaf blows into the sandbox and you incorporate that. Soon you have a foundation and it all flows from there. The hardest part is getting up from the sandbox and saying ‘Done’. But really, any sandbox will do.” – Coleman Miller

“Coleman Miller is destined for admiration and great poverty.” - Isabella Rossellini

Program runtime is approximately 68 minutes – Surprise unannounced works possible

Step Off A Ten-Foot Platform With Your Clothes On, by Coleman Miller
USA, 1990, 7 minutes, 16 mm

While working as a printer in a film lab in San Francisco Miller, was able to use equipment most filmmakers didn’t even know existed. Obtaining special use of a continuous contact printer, which he used every day, was particularly inspiring. By manipulating found footage he was able to create a body of work that turned the medium of film back around on itself. Miller was able to invent many new printing techniques, which he continues to incorporate today. During these years, the film lab became a ten-year festival of experimentation and from it came the most consistent additions to his body of work.
In Step Off A Ten Foot Platform With Your Clothes On, Miller expounds his foray into found and experimental film by compiling which had been, until Uso Justo, his most successful and critically acclaimed work. Produced while Miller was still working for a San Francisco based film printer, once again we see Miller playing with materials directly available to him. During this time time, he was turning film around on itself in a purely visual way – showing the sprocketholes, edge numbers, dirt and frame lines, etc. Again we’ll see the use of contrapuntal sound in order to punctuate dramatic and often playful images. Miller also takes the time to examine what lies in between or, more appropriately, just hidden aspects of film. Long stretches of dirty black or white leader touched with color, usually an annoyance to the traditional viewer, display an entertaining dance of schmutz that is allowed to take the focus. Platform briefly introduces it’s visual styles and slowly allows them to progress into a spirited visual mash-up of his techniques. Ordinary images sifted thru Miller’s mental machine, like the little dog in the film, yanked to unreasonable visual extremes.Platform would go on to win numerous festival awards, be screened at the 1991 Sundance Film Festival, and become culled material for commercial exhibitions such as the 1992 MTV Music Video Awards and the opening title sequences for MTV’s 1991 television show The Big Picture.
Fixated Whereabouts by Coleman Miller
USA, 1983, 5 minutes, 16 mm
Deeply inspired by Bruce Conner’s Take The 5:10 To Dreamland, Miller’s initial dabbling into filmmaking shows natural mastery of his available tools. Shot simply with a super 8 camera, Miller’s exercises began to define the directions of his current work. What, upon first glance, appears to be the tired student project that pervade the novice class of experimental film, a deeper inspection reveals Miller’s creation of a bizarre and surreal world just around the corner from your house. Contrapuntal sound reverses commonly seen images, and simple experimental devices distract the viewer into provocative thought. San Francisco’s skyline watched out a window appeals to a strange unfulfilled longing, so it shouldn’t surprise the reader that the scene is shot from a postcard found in Miller’s hotel, years before he ever took up residence there. Please note the first display of existential angst. Every ordinary event, every car-ride or ballgame take on an otherworldly effect. An escalator, found sound, a mirror… all objects often overlooked, suddenly presented turned on their own ear. Fixated Whereabouts means what it suggests as Miller’s universe stops at a place, records what it sees, interprets the material with a clash of the surreal, and then punctuates with moments of fright and wonder.
Motion Pictures by Coleman Miller
USA, 1996, 4 minutes, 16 mm
In Miller’s most abrupt work- Motion Pictures – he begins pursuit of new layering techniques with found and manipulated materials. Produced at Monaco Lab.
Minneapolis/St. Paul International Film Festival Trailer 1997
The Bony Orbit by Coleman Miller
digital projection, USA 2010, 2 minutes, digital projection
The dry narration of an educational film brings forth surprising results as a couple surrenders to love.
What Gives by Coleman Miller
USA, 1994, 2 minutes, digital projection
The larf of What Gives introduces Miller’s playfulness, foreshadowing a common theme throughout the future of Miller’s work. Surreal, experimental slapstick executed to perfection. Again produced at Monaco Lab, with materials and tools at his disposal.
Kirk, we hardly knew ya by Coleman Miller
USA, 1999, 12 minutes, 16 mm
Produced as an installation piece, ‘Kirk’ is the most basic of Miller’s work, never intended to be screened beyond that environment. But as we watch it today, the subject matter retains relevance. The pressures of business and technology barked out by the enigmatic Shatner, transposed with the inane pursuits of a culture that can’t understand why it should be bombed. Miller’s statement, though simple and cheaply produced, retains its’ humor in the light of such damning circumstance.
Take The L by Coleman Miller
USA, 2006, 3 minutes, digital projection
Using his 8 year-old, consumer level 1-chip digital video camera, Miller dials in the controls to capture a frighteningly sharp commuter train trip. Using a technique available to almost any beginner level FCP user, he transcends the viewer into a widely familiar but deeply disorienting and hypnotic landscape. In watching the center, the viewer can only imagine the thrilling moment when, as a child, they first held a kaleidoscope up to the light. But looking out toward the edges, Take The L will subtly reveal it’s common subject matter and remind the viewer of its’ reality. Once again Miller takes the most mundane of activities and develops it into an explosion of kaleidoscopic visual beauty and playfulness. Miller once again delivers stimulating execution of the most basic technique driven to its’ edges.
Heaven by Coleman Miller
USA, 2007, 3 minutes, digital video
Jon Nelson asked me to add some visuals to one of his audio mix cuts for a show in Minneapolis. I chose the one with Steve Martin talking about heaven. Of the two of those i really believe in Steve Martin.
Uso Justo by Coleman Miller
USA, 2005, 22 minutes, digital projection
Miller’s first narrative creation is like nothing you have seen before. Or since. Uso Justo (roughly translated: “Fair Use”) is restructured completely from an obscure 1959 Mexican film. Miller reaches deep into this black and white melodrama with both hands and turns it inside out. When an experimental filmmaker arrives to shoot his next film in the fictional town of Uso Justo, things start getting strange. The townsfolk are both thrilled and confused by the sudden arrival of this mysterious artist. As the invisible filmmaker pulls the strings, the unfolding story proves to be existential and hilarious, intelligent and stupid.
View Excerpt
”A laff a minute” -Bruce Conner
“Uso Justo is the most hilarious and mesmerizing film I have seen in years.” – Jonathan Caouette (Tarnation)
”Uso Justo is BRILLIANT!!! Fantastic! genius! Wonderful! marvelous! Fuckin’ Brilliant!!!” – Craig Baldwin (Sonic Outlaws, Tribulation 99)
Frank and Paula by Coleman Miller
USA, 2009, 4 minutes, digital projection
The 1950 film noir classic D.O.A. is apparently in the public domain. Somebody hand me my e-scissors.
Hands Motherloade by Coleman Miller
USA, 2002, 4 minutes, digital projection
I put this together when my computer was acting like shit and crashing frequently. Coincidentally this was right after i had gone to my grandfather’s house and picked up a bunch of old metal sections of heating pipes, elbow joints, washer’s, nut’s, bolts, handtools, etc. So when the computer would crash i would go out on the back porch to my buckets of metal and try twisting up some sculpture. And i began to realize how much I liked working with my hands again. It was such a breath of fresh air – much better i thought than staring at a monitor. At the same time i would be watching and rewatching old 16mm educational films and noticing how almost every one of these had a close shot of hands.
The human hand. What a great tool. And taken for granted.
Coleman Miller (Creator/Writer/Director/Producer/Editor) has been making films for over 20 years. His films have won numerous awards on the festival circuit and his film Step Off a Ten Foot Platform With Your Clothes On screened at Sundance in 1991. He received his bachelor’s degree in film production from Southern Illinois University in 1983. He was recently awarded the 2005 IFP-MSP/McKnight Artist Fellowship for Filmmakers, received a Jerome Media Grant in 2001 and a Film Arts Foundation Grant in 1990.

Cool Photo Printers images

A few nice photo printers images I found:

hackNY spring 2013 student hackathon

Image by hackNY
Photo by Matylda Czarnecka

The spring 2013 hackNY student hackathon brought in hundreds of students to Columbia University's Fu Foundation School of Engineering and Applied Science April 6-7 for 24 hours of creative collaborative hacking on New York City startups' APIs.

NYC Startups, selected by a student organizing committee, presented their technologies at the beginning of the event, after which students formed groups to work through the night implementing their own ideas for fresh hacks built on top of these APIs.

On Sunday afternoon students presented their projects to an audience including a judging panel featuring members of the NYC startup community, which selected the final winning teams.

Since April 2010, hackNY hosts student hackathons one each semester, as well as the hackNY Fellows program, a structured internship which pairs quantitative and computational students with startups which can demonstrate a strong mentoring environment: a problem for a student to work on, a person to mentor them, and a place for them to work. Startups selected to host a student compensate student Fellows. Students enjoy free housing together and a pedagogical lecture series to introduce them to the ins and outs of joining and founding a startup in NYC.

To find out what you missed at the spring 2013 hackNY student hackathon please do see our HackerLeague event page and blog post announcing the winners.

Special thanks to our spring 2013 hackNY student hackathon judges! And congratulations to the winners of the spring 2013 hackNY student hackathon!


For more information on hackNY's initiatives, please visit www.hackny.org and follow us on twitter @hackNY

hackNY spring 2013 student hackathon

Image by hackNY
Photo by Matylda Czarnecka

The spring 2013 hackNY student hackathon brought in hundreds of students to Columbia University's Fu Foundation School of Engineering and Applied Science April 6-7 for 24 hours of creative collaborative hacking on New York City startups' APIs.

NYC Startups, selected by a student organizing committee, presented their technologies at the beginning of the event, after which students formed groups to work through the night implementing their own ideas for fresh hacks built on top of these APIs.

On Sunday afternoon students presented their projects to an audience including a judging panel featuring members of the NYC startup community, which selected the final winning teams.

Since April 2010, hackNY hosts student hackathons one each semester, as well as the hackNY Fellows program, a structured internship which pairs quantitative and computational students with startups which can demonstrate a strong mentoring environment: a problem for a student to work on, a person to mentor them, and a place for them to work. Startups selected to host a student compensate student Fellows. Students enjoy free housing together and a pedagogical lecture series to introduce them to the ins and outs of joining and founding a startup in NYC.

To find out what you missed at the spring 2013 hackNY student hackathon please do see our HackerLeague event page and blog post announcing the winners.

Special thanks to our spring 2013 hackNY student hackathon judges! And congratulations to the winners of the spring 2013 hackNY student hackathon!


For more information on hackNY's initiatives, please visit www.hackny.org and follow us on twitter @hackNY

Nice Hp Photo photos

Some cool hp photo images:

HP Compaq 6735s 11

Image by louisvolant
Photo du constructeur et de l'ordinateur acheté dernièrement par ma mère. Conclusion : l'ordinateur est très sympa. Bon achat.

HP Compaq 6735s 10

Image by louisvolant
Photo du constructeur et de l'ordinateur acheté dernièrement par ma mère. Conclusion : l'ordinateur est très sympa. Bon achat.

HP Compaq 6735s 08

Image by louisvolant
Photo du constructeur et de l'ordinateur acheté dernièrement par ma mère. Conclusion : l'ordinateur est très sympa. Bon achat.

Cool Photo Galleries images

Some cool photo galleries images:

SPACE Gallery Homecoming 2009

Image by Bryan Bruchman
full gallery of party photos very soon!

Xoooox - Stencil Art - Circleculture Gallery

Image by urbanartcore.eu
The second solo exhibition at Circleculture Gallery in Berlin will once again highlight XOOOOX’s critical artistic understanding of fashion culture.

On display are delicate stenciled works and installations in an arte povera style that consist of weathered and decaying materials. In these works XOOOOX distinctly contrasts the glamour of fashion culture with existentialist themes such as vulnerability and transience.

The life-size stencils of professionally styled photo models form the leitmotif of the figurative “studies” and scrutinize the worship cult and the seduction techniques of haute couture.

Beguilingly beautiful, XOOOOX’s women convey a sense of melancholy and introversion and allude to the growing displeasure with the uniform, consumption-driven hype of the fashion industry.

More at the Berlin Streetart Blog.

Cool Photo Collage images

Some cool photo collage images:

FujiFilm FinePix S2960 Collage 2-sn

Image by Sonel-SA
Some more online editing done with Pixlr Express of my FujiFilm Finepix Camera taken with my Nokia X6
pixlr.com/express/

Pier collage

Image by Gareth Hacking

Nice Image Upload photos

Check out these image upload images:

resting dragonfly 2 - best large (replace dragonfly with damsefly)... ;)

Image by bernat...
espiadimonis descansant 2

Thank you Tyan&Remus for the explanation... this is not a dragonfly... it's a damsefly... **pardonable ignorance** ;)

Please, consider to view my most interesting shots acording to flickr and my photos on explore

Safe Creative. If you want to use this image please add in a visible place near the photo: "Photo: Bernat Casero" (link included, please)

take a look at your contacts activity or at your recent photos in explore front page

☆

EXPLORE #22 thank you very much for your comments and favorites....

EF Civic - Track

Image by David Atkinson Images
This is the last of my uploads from out on the track, stay tuned for some shots from the pit lane.

Press 'L' to view in Lightbox

Approaching Grand Central Station in the Rain

Image by Stuck in Customs
Daily Photo - Approaching Grand Central Station in the Rain
Rainy nights in cities pose a tough problem. Really, in many ways, you have to fight against every natural human instinct to go out into the rain on purpose. It's so easy just to want to stay inside, make a hot cocoa (or, a think Aztec Drinking Chocolate in my case), watch a movie, be all cozy, etc etc. But the little photographer inside of you also knows how interesting things are out there!

So, I tend to compromise, and force myself to go outside half the time and stay inside half the time. This occasion in New York City was obviously one of the times I went out in the rain.

You can see I am approaching Grand Central Station -- and that is the famous Chrysler Building in the background. This was shot with the Nikon 14-24 Lens (See my Nikon 14-24 Review). It's an expensive lens, so if you are looking for something cheaper that also takes great wide-angle shots, check out the Sigma 10-20mm (Review coming some day when I mysteriously get more time).
My Sprint 3G/4G Mobile Hotspot is Pretty Crappy
So, I was going to either get the Verizon MiFi or this Sprint 4G Mobile Hotspot thing... I needed a fast mobile connection that I could use on the road instead of depending on coffee shops or hotel rooms. I could not decide which one to get, and in the end, I opted for the Sprint one because I thought the 3G would be equal to the MiFi but the 4G would be better where I had coverage. What I've learned (briefly):

The 4G is better if the area has 4G. Austin does, so that is nice.
I've since traveled to Plano, Dallas, and Orlando, none of which could pick up a 4G signal
So, instead it connects at 3G - it is glacially slow!

It says "3G", but I think it is lying... because it seems 10x slower than my iPhone alone
I have run it on Speedtest.net many times. Half the time, it is to slow to even load the site, much less measure it! When it does run, it shows about 0.09 mb/s. I might as well be on Prodigy
Don't believe anything can be that slow? See this img.skitch.com/20100526-kb64r8x1mydqj9aq3puacywtt7.jpg!
Before, I had used Cali Lewis' MiFi and it was very fast - must faster than this Sprint black hole of bandwidth


It gets very hot. Very very hot.
The battery only lasts about 2 hours. That is pretty lame, really. Even when you have it plugged in via USB, it appears to drain faster than it charges.
When I use it for a few hours, the Internet stops working... It requires a reboot of the device. This has happened to me 4 times now.




Photo-Posting While Travelling Tip
As you know, I put up a new photo every day here on the blog. This is hard both from a processing standpoint, since these can take anywhere from 20 mins to several hours to produce. It's also hard logistically because I've got to get everything uploaded and into its place before posting!

So, I've taken to uploading 10-20 photos to SmugMug (see my SmugMug Review) at a time before a trip. I go in an "Hide" the photos. That way, I can just go online and "Unhide" them when I get ready to make the daily post. This seems to be a good solution.





from the blog www.stuckincustoms.com

Reflections on the water

Some cool image share images:

Reflections on the water

Image by will668
this is a stream near Trago Mills on the A38 in Cornwall.
I am proud of this one, the colour is awesome

Cool Nature Image images

A few nice nature image images I found:

Nature's Drama

Image by ~FreeBirD®~
How interesting and what a nice way to enjoy the spectrum of the widescape !!

First Clouds, then winds and then heavy downpour, then sun and then rainbow and then clouds back-on again.

Dont have words to share but all that I can share is the moments spend in the Paris under Clouds and chilly winds.

Antelope Canyon Arizona 2008

Image by geroco
One of the images that I captured yesterday from my trip to Antelope Canyon near Page, AZ.

You can find out more information on this trip at the blog post: geroco.blogspot.com/2008/11/i-got-chance-to-visit-antelop...

Moo Cards

A few nice photo card images I found:

Moo Cards

Image by Christopher Chan
Moo mania has arrived. :) Moo card and his big brother in the background.

See also a CNET article on Moo cards.

This is the original photo.

Card Catalog - Reading Room

Image by Glyn Lowe Photoworks
The Library of Congress - Main Reading Room - Library of Congress Classification Card Catalog

The octagonal reading room in Washington's Library of Congress contains about 70,000 volumes in its reference collection, and contains the main card catalog reference for all the works in the specialized reading rooms.

More Photos At:
www.glynlowe.com/the_library_of_congress_reading_room

Yay!

Image by Becky E
My MiniCards from www.moo.com/ came today! :-)

Cool Picture images

Check out these picture images:

Picture of Pictures

Image by Andy Woo
I used Photoshop to make a few fake Polaroids for retail product display at LOG-ON.

Only after I did that, I discovered there is a flickr group devoted to e-Polaroid. They provided a ready-to-use template too.

Cool Photo Sites images

Check out these photo sites images:

NY - Hyde Park: Vanderbilt Mansion NHS - Vanderbilt White Bridge

Image by wallyg
The White Bridge, which replaced an old frame bridge over Crum Elbow Creek to Post Road just below the man-made Sherwood Pond, was designed and constructed in 1897 by the New York City engineering firm of W. T. Hiscox and Company. A Melan arch bridge, it was one of the first steel and concrete bridges in the United States.

When Frederick W. Vanderbilt died in 1938, the Hyde Park estate, including the Vanderbilt Mansion, was bequeathed to Mrs. James Van Alen, a niece of Mrs. Vanderbilt. Two years later, Mrs. Van Alen gave the estate to the Federal Government, and on December 18, 1940, it was designated a National Historic Site. Since that time it has been administered by the National Park Service, U.S. Department of the Interior.

Vanderbilt Mansion National Historic Site National Register #66000059 (1966)

Daily Disney - Free Friday - A Magical Main Street (Explored)

Some cool photo images images:

Daily Disney - Free Friday - A Magical Main Street (Explored)

Image by Express Monorail
View On Black

See where this picture was taken. [?]

[This was supposed to be yesterday's image but I got busy and life got in the way :=0P ]

It's Free Friday, which means the theme is... well... there is no theme! Friday is my day to pick any random Disney photo and post it here on Flickr.

This one is from November 2008 during the Mickey's Very Merry Christmas Party. I like this picture and somehow overlooked it previously. I more than likely dismissed it because I thought there were too many people in it, but now I think I kind of like that about it. It really gives the image that "frozen in time" look and I like that here.

Quick EXIF:
Camera: Nikon D300
Lens: Sigma 30mm f/1.4
Mode: Aperture Priority
Exposure: 1/80 sec
Aperture: f/1.4
Focal Length: 30mm (45mm full frame equivalent)
ISO: 800
Bias: N/A

Thanks for stopping by!

__________________________________________________________________

This picture made it to Flickr Explore December 12, 2009 - #111 - thanks everyone!

__________________________________________________________________

Disney Photo Challenge winner in "Rainy Season" - thanks for your votes!

New Baby Deer

Some cool baby picture images:

New Baby Deer

Image by docguy
Pictures of a brand new baby deer learning to walk. Taken in Waterton National Park, Alberta, Canada in June 2011.

Nice Earth Image photos

Check out these earth image images:

678 - Earth Day - Seamless Pattern

Image by Patrick Hoesly
Earth Day is a day designed to inspire awareness and appreciation for the Earth's environment. It was founded by U.S. Senator Gaylord Nelson as an environmental teach-in held on April 22, 1970 and is celebrated in more than 175 countries every year. Earth Day is celebrated in spring in the Northern Hemisphere and autumn in the Southern Hemisphere. Many communities celebrate Earth Week, an entire week of activities focused on environmental issues. While the first Earth Day was focused entirely on the United States, an organization launched by Denis Hayes—the original national coordinator in 1970—took it international in 1990 and organized events in 141 nations. Earth Day is now observed each year on April 22 in virtually every country on Earth.
--- Wikipedia


This seamless texture was illustrated by Patrick Hoesly, a Kansas City based illustrator specializing in architectural illustrations and graphic design. This texture is released under the Creative Commons Attribution license. If you like this image, please mark it as a favorite and feel free to leave a comment. Thanks!

What is a Seamless Texture / Pattern?
A seamless texture is an special image, where one side of a image exactly matches the opposite side, so that the edges blend into each other when repeated. Seamless textures are used for desktop wallpaper, webpage backgrounds, video games, Photoshop fills and in 3D rendering programs.

How did you make it?
This texture was made using software specially designed to aid in seamless texture creation. Some of the programs I’ve use are Photoshop, Illustrator, Filter Forge, Genetica, Image Synth, Alien Skin, Topaz Labs, Imagelys, and a Wacom tablet.

Check out my Blog at zooboingreview.blogspot.com

San Diego, California (NASA, International Space Station, 12/29/11)

Image by NASA's Marshall Space Flight Center
This nearly vertical image of the San Diego area was captured by one of the Expedition 30 crew members aboard the

International Space Station on Dec. 29, 2011. The United States - Mexico border is just out of view at the left edge of the

frame. A 180-mm lens was used to provide detail in the picture.

Image credit: NASA

Original image: spaceflight.nasa.gov/gallery/images/station/crew-30/html/...



More about space station research:
www.nasa.gov/mission_pages/station/research/index.html



There's a Flickr group about Space Station Research. Please feel welcome to join! www.flickr.com/groups/stationscience/



View more than 400 photos like this in the "NASA Earth Images" Flickr photoset:
www.flickr.com/photos/28634332@N05/



_____________________________________________


These official NASA photographs are being made available for publication by news organizations and/or for personal use

printing by the subject(s) of the photographs. The photographs may not be used in materials, advertisements, products, or

promotions that in any way suggest approval or endorsement by NASA. All Images used must be credited. For information on

usage rights please visit: www.nasa.gov/audience/formedia/features/MP_Photo_Guidelin...

Couch Catatonia

Check out these bing image images:

Couch Catatonia

Image by DeeAshley
. . . There are words inside her, waiting to be born.


She feels them growing, forming, becoming thoughts that might later work themselves into sentences to be spoken aloud.


Now, they are nothing but jagged letters with sharp edged corners poking at her, making her uncomfortable. She can’t seem to put them together in any way that softens them.


She soon realizes they will always be hard and sharp. They will always be hard to get out.



It might be easier to keep them inside, let them remain a struggling mess of letters and sounds that will hurt no one but her.

Money maker

Image by Neil Kremer
HDR of a fishing boat in Long Beach, CA
3 handheld exposures, Photomatix, Veveza and Define.

Image by Butterfly Mobiles by ButterflyOrbs

Kaminari. (Lightning) 雷 More Art knife photos below. 4,000 visits to this photo. Thank you.

Some cool photo art images:

Kaminari. (Lightning) 雷 More Art knife photos below. 4,000 visits to this photo. Thank you.

Image by Glenn Waters ぐれんin Japan.
Lightning.
The blade is stainless Damascus steel engraved with lightning, inlayed with 24k gold and has a 950 silver thumb opener and is 6.5cm long.
The handle is mosaic Damascus heat coloured engraved and inlaid with 24k gold and mammoth ivory with 24k gold lacquer and is 8cm long.
The pocket clip is made of anodized titanium and the lightning pattern was priced-out with a very fine saw.
The locking liners are made of anodized Titanium.
The back bar is engraved and file worked with a lightning design.
The total opened length is 14.3cm.
All work including the photo by
Glenn Waters.
www.glennwaters.com

MoSHuLu

Image by Poster Boy NYC
Cover art for Eastern District's new mixtape

安靜 X-fujinon 50mm f1.9 手動鏡

Image by `Kevin Wang（WANG CHI WEN)
轉接X-fujinon 50mm f1.9拍攝
Switches over the X-fujinon 50mm f1.9 photographies